Characters - Whale Rider ; Religious Studies
In whale rider, the whale symbolizes life and death. the whale you can see and feel the connection between Pai and the whale and the way she Why does Pai support Koro even though he does not recognise that she has. Why does Paikea continue to love and respect Koro as he continues to ignore her The relationship in the movie whale rider is with paikea and her after she tryed to help him fix the engine and he could not fix it so paikea. The Whale Rider Summary and Analysis of Epilogue She asks him what is on his back and he replies that it is his lord Paikea. So Nanny is brought next to Kahu, and Koro stands over the two of them and minutes pass thus. calling her “child” and telling her to fulfill her destiny and help her people.
Witi Ihimaera approved film director Niki Caro's adaptation: It's not just about a community that is faced with a particular problem of ancestry and succession, it's also about women and how they need to find and make their own way in society. Pai has become this iconic young girl who is desperately trying to seek her own sovereignty and her own destiny in a male-orientated world.
We weren't pretending that the wharenui [meeting house] was there when it wasn't. The beach was there; the waka [canoe] was there; even Koro's house was there," explains cinematographer Leon Narbey.
The sight made him homesick for the area he grew up in, and made him think of the story of the ancestor of his area. Over a period of three weeks, he wrote "the Whale Rider" - a story of Kahutia-te-Rangi, a story of Whangara, of small-town rural New Zealand, a story of the changing and breaking of years of Maori tradition and teaching.
The story of a Maori chief whose eldest great-grandchild is not the boy he wanted. The story of a girl called Kahutia - Kahu - who could be the next chief. Kahutia was a girl who was meant to be a boy. She is the first child of her generation in the chief's family, and her birth breaks a long line of chiefs, stretching back to Paikea himself. Further than that, when she was born her mother died, and her father was not willing to just put things behind him, marry again, and produce another child preferably a son any time soon.
In the movie, this is more tragic, more poignant. The movie is about a girl called Paikeaand over the opening scene, you hear her words: My twin brother died, taking our mother with him.
It is important to know here that the place of women in Maori society is much regulated by tradition. Women may not speak on a marae, they may not set foot on a waka traditionally a war canoethey may not learn to wield the taiaha spear.
- Whale Rider (2002)
They cannot see a tekoteko panel or a canoe being carved. They cannot take part in the schooling of future chiefs.
It is the women who do the cooking, who do the karanga welcome for visitors to the marae. Women do not wear trousers on a marae. The women sing the waiata songs at the close of each speech, the men do the haka war dance. A woman cannot be chief. A kura school to instruct the youngsters of the tribe in the way of the ancient ones. And youngsters means males.
Whale Rider () - PopMatters
Paikea does the karanga [welcome chant] for the manuhiri visitors while Nanny Flowers does the karanga for the tangatawhenua hosts. Koro relents and suggests that Paikea can stay, but only if she sits at the back. She leaves, and learns the chant by listening through the windows, learns the taiaha [fighting stick or spear] from her uncle. She bests one of the boys at the taiaha, on the marae [meeting place] grounds.
Whale Rider | Study for whale rider
While the film is imperfect some plot turns are abrupt; the "aboriginal hoopla," as noted by the Village Voice's Michael Atkinson, "comes off as tribal ritual for its own sake"; the generally rousing tone doesn't detail the poor conditions or political difficulties the Ngati Konohi faceit has also inspired much devotion from critics and scholars of "indigenous film" recall that Harvey Keitel played a Maori tribesman in The Piano, meaning the movie image pickings are slim outside of New Zealand.
But even for its representational reductiveness, the film is akids' movie with something to say, looking at relationships between generations and individuals, across cultures and over oceans of bad feelings. Porourangi returns from Europe, where he's been selling and showing his art, making a living off his translations of his traditional culture. Koro passes predictable judgment: Furious, Koro cruelly turns his anger at the nearest, easiest, most vulnerable target, Pai, who overhears his pointless and unintended derision from the next room "Take her with you!
She's no use to me! This crisis sparks a touching reunion between father and daughter, during which both parties assume her maturity beyond her years.Whale Rider: 15th Anniversary Edition - Clip 5: Pai Dives Into The Water (HD)
As Caro puts it, children "say what they feel, and we've all felt that. It's a real basic human experience, to be rejected.
She's not so much charismatic or adorable though you might call her eitheras she is resilient, exquisite, and worthy. The DVD includes useful extras that illuminate the child's individual potency, her heritage, and "the New Zealand character," such as the featurettes, the factful "Te Waka: Building the Canoe," "Behind the Scenes" recounting the novel's inspiration and the film's productionand "Whale Rider: The Soundtrack Showcase," as well as deleted and unnecessary scenes such as one showing Porourangi's arrival at a celebratory community dinner; or Pai waking her father, sweetly, before Koro comes to the doorway to announce breakfast.
While Pai is the exact opposite of this, she reinforces healthy lifestyles to her grandmother and friends. She rides her bike to school and is more concerned with finding answers in the old ways.
She has the option to go to Germany with her father but chooses to live in Whangara with her grandparents because it is where she belongs. She shows respect for nature, her ancestors, faith and the blending of traditional values in this modern world. Played by actor Rawiri Paratene, Koro is the grandfather of Paikea. He is the traditional Chief and elder of the community. He is a strong leader who is determined and proud.
He struggles throughout the film with allowing himself to see Paikea as the tribes' leader. A female leader is against everything he has been taught through elder traditions and what he teaches to others.
Koro then asks her for forgiveness from the great leader. Paikea lives with Koro and Nanny Flowers. Nanny Flowers is a traditional yet strong woman. She reinforces to Paikea to not listen to Koro but as a strong role model she also shows Paikea a sense of independence and determination.
His twin son and wife died in childbirth leaving Paikea and a family he could not change.