Is the actress Bridget Fonda related to any of the other Fondas, Henry or Jane,
For more than a decade, Bridget Fonda had Tinseltown eating from the palm of is legendary actor Henry Fonda, and your aunt is legendary actor Jane Fonda, Fonda had another personal reason to stop looking for roles: her relationship. Is the actress Bridget Fonda related to any of the other Fondas Henry or Jane and if so what is the relation - trivia question /questions answer. Or his famous sister Jane or his daughter Bridget. Even his The job affected my relationship with my kids but I was always tactile and loving.
Frequent collaborator Robert Redford also made his debut in that film. Period of Adjustment and Walk on the Wild Side followed in Rise to prominence — [ edit ] This section includes a list of referencesbut its sources remain unclear because it has insufficient inline citations. Please help to improve this section by introducing more precise citations. September Learn how and when to remove this template message as Eileen Tyler in Sunday in New Yorkone of her earliest box office successes.
Inshe appeared in Sunday in New York. Newsday called her "the loveliest and most gifted of all our new young actresses". This comedy Western received five Oscar nominations, with Lee Marvin winning best actor, and was one of the year's top ten films at the box office. It was considered by many to have been the film that brought Fonda to bankable stardom.
The following year, she had a starring role in The Chase opposite Robert Redfordin their first film together, and two-time Oscar winner Marlon Brando. The film received some positive reviews, but Fonda's performance was noticed by Variety magazine: Inshe played the title role in the science fiction spoof Barbarellawhich established her status as a sex symbol. Fonda goes all the way with it, as screen actresses rarely do once they become stars.
Fonda stands a good chance of personifying American tensions and dominating our movies in the seventies as Bette Davis did in the thirties. Fonda was very selective by the end of the decade, turning down lead roles in Rosemary's Baby and Bonnie and Clyde. Resurgence and critical acclaim — [ edit ] In the seventies, Fonda enjoyed her most critically acclaimed period as an actress despite some setbacks for her ongoing activism.
Fonda's ability to continue to develop her talent is what sets her apart from many other performers of her generation. Pakula 's murder mystery Klute.
Prior to shooting, Fonda spent time interviewing several prostitutes and madams. Years later, Fonda discovered that "there was like a marriage, a melding of souls between this character and me, this woman that I didn't think I could play because I didn't think I was call girl material. Pauline Kael wrote, "As an actress, [Fonda] has a special kind of smartness that takes the form of speed; she's always a little ahead of everybody, and this quicker beat -- this quicker responsiveness -- makes her more exciting to watch.
This quality works to great advantage in her full-scale, definitive portrait of a call girl in Klute. It's a good, big role for her, and she disappears into Bree, the call girl, so totally that her performance is very pure -- unadorned by "acting.
She has somehow got to a plane of acting at which even the closest closeup never reveals a false thought and, seen on the movie streets a block away, she's Bree, not Jane Fonda, walking toward us. There isn't another young dramatic actress in American films who can touch her. She has a sort of nervous intensity that keeps her so firmly locked into a film character that the character actually seems distracted by things that come up in the movie.
In the former, some critics felt Fonda was miscast, but her work as Nora Helmer drew praise, and a review in The New York Times opined, "Though the Losey film is ferociously flawed, I recommend it for Jane Fonda's performance.
Why you don't see Bridget Fonda anymore
Beforehand, it seemed fair to wonder if she could personify someone from the past; her voice, inflections, and ways of moving have always seemed totally contemporary. But once again she proves herself to be one of our finest actresses, and she's at home in the s, a creature of that period as much as of ours. But the truth is that my career, far from being destroyed after the war, flourished with a vigor it had not previously enjoyed.
Her return to acting in a series of 'issue-driven' films reflected this new focus. Jane Fonda did an extraordinary job with her part. She is a splendid actress with a strong analytical mind which sometimes gets in her way, and with an incredible technique and control of emotion; she can cry at will, on cue, mere drops or buckets, as the scene demands I thought Jane well deserved the Oscar she should have got. The two directors then made Letter to Janein which the two spent nearly an hour discussing a news photograph of Fonda.
Through her production company, IPC Films, she produced films that helped return her to star status. The comedy film Fun With Dick and Jane is generally considered her "comeback" picture. Critical reaction was mixed, but Fonda's comic performance was praised; Vincent Canby of The New York Times remarked, "I never have trouble remembering that Miss Fonda is a fine dramatic actress but I'm surprised all over again every time I see her do comedy with the mixture of comic intelligence and abandon she shows here.Jane Fonda Talks About Marilyn Monroe
Gary Arnold of the Washington Post described her performance as "edgy, persuasive and intriguingly tensed-up," commenting further, "Irritable, intent and agonizingly self-conscious, Fonda suggests the internal conflicts gnawing at a talented woman who craves the self-assurance, resolve and wisdom she sees in figures like Julia and Hammett.
She turned down An Unmarried Woman because she felt the part was not relevant.
InFonda was at a career peak after she won her second Best Actress Oscar for her role as Sally Hyde, a conflicted adulteress in Coming Homethe story of a disabled Vietnam War veteran's difficulty in re-entering civilian life. Also inshe reunited with Alan J.
Pakula to star in his post-modern Western drama Comes a Horseman as a hard-bitten rancher, and later took on a supporting role in California Suitewhere she played a Manhattan workaholic and divorcee. Variety noted that she "demonstrates yet another aspect of her amazing range"  and Time Out New York remarked that she gave "another performance of unnerving sureness.
Cast alongside Jack Lemmon and Michael Douglasin one of his early roles, Fonda played a clever, ambitious television news reporter. Her performance is not that of an actress in a star's role, but that of an actress creating a character that happens to be major within the film.
She keeps getting better and better. The same year, she starred in the western adventure-romance film The Electric Horseman with her frequent co-star, Robert Redford. The film was a huge critical and box office success, becoming the second highest-grossing release of the year.
He died five months later. Martha Livingston in Agnes of God The following year, she played an alcoholic actress and murder suspect in the thriller The Morning Afteropposite Jeff Bridges.
In preparation for her role, Fonda modelled the character on the starlet Gail Russellwho, at 36, was found dead in her apartment, among empty liquor bottles. Writing for The New YorkerPauline Kael commended Fonda for giving "a raucous-voiced, down-in-the-dirty performance that has some of the charge of her Bree in Klute, back in Henry Fonda with Jane and Peter in [REX] The job affected my relationship with my kids but I was always tactile and loving Peter Fonda "He could do on stage what he could not do in life because on stage he was given the words to express feeling.
He just wasn't available to us. But, you know, he didn't beat us and we ate well. Peter and Jane loved her dearly but the marriage lasted only five years. We were living in Rome and she came down to breakfast and told us. I was devastated and cried and she said, 'I'm young, I want to dance and tell jokes.
I need to cut loose'. And I knew exactly what she meant. For a moment I felt I'd be better off going with her but that would have been too devastating for my dad.
Funnily enough my best relationship is with my stepson Thomas because it started as friendship.
But after 39 films she turned her back on the business. I remark that her British accent in Scandal was spot on. I actually met Mandy Rice-Davies back in She was dating a guy who was in the movie I was making.
He loathed her second husband, activist Tom Hayden. Frankly he's lucky he's still alive. That is not serving your country. To make things worse, it was triggered by his involvement with a 20 year old woman, Susan Blanchard. This was too much for Frances, already not well, and she ended up being committed into a psychiatric hospital, unable to cope with the idea of being left alone after Henry had promised to be with her forever. The End of the Road For Frances, this nervous breakdown was one from which she would never recover.
Inaged just 42, and with two young kids at home, she took a razor blade and slit her own throat, while still staying in the psychiatric hospital which she had been admitted to.
Were their signs that this would happen? Reading the Signs Perhaps there were signs. Sometimes things which seem only slightly strange come into focus after they can no longer be helped.
This is a chilling fact, now that we know what happened next. Hiding the Truth After the death of their mother, Henry made a tough choice.
Jane was only just a teenager, at 13 years old, and he did not want his children to know what had happened to their mother. So despite the media catching wind of the story, he kept the real cause of their mothers death from them.
Finding Out The Truth Of course, Jane would find out what happened to her mother, and the real circumstances of her death inside the psychiatric hospital by suicide. But she should have found this out from her loving father. Instead, she ended up hearing the news from reading about it in a magazine article, along with her brother.
Can you imagine any more callous way to find out that your mother has killed herself? A Heart Attack Peter remembers the time well, and he even opened up about it to the Daily Express, back in Turning the Blame Inwards Like with any secret, Jane started to wonder why it had been kept. She remembered how her mother had called her to her bedside when she was still at home, with a nurse to help her.
Regret flooded her heart. Speaking Out Jane truly believed for many years that she could have made a difference to what happened to her mother.
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It was my fault. Moving Forward and Learning the Truth The only way that Jane Fonda could possibly move forward was to learn more about the circumstances around her mothers suicide.
Could there be more behind her mothers mental health than her diagnosis of Bipolar and her father asking for a divorce? What was the truth? Tracking Down the Records Jane, still young at the time, decided to try to find the mental health records of her mother from the institute where she was at the time of her breakdown and subsequent suicide.
This turned out to be the best thing that Jane could have done. In the records was the truth about her mother, long kept from her by her father Henry Fonda, and which would complete the puzzle, providing the missing piece that Jane needed to find forgiveness for herself.
A Long Battle After reading these records, Jane realized just how long her mother had been battling with mental health issues, and what was at the true root of them. This abuse had happened long before Frances ever met Henry, and it showed Jane that there was nothing she or anyone could have done. It had nothing to do with me.